More than just Invisible

More than just Invisible
Showing posts with label Charles Fort. Show all posts
Showing posts with label Charles Fort. Show all posts

Friday, 19 July 2013

Into the world of the other (Part one)

Into the world of the other
Tiny Cracks (3)

Faun
 

In the second part of Tiny Cracks, I looked at conspiracy theories and noted that in polite liberal society, admittance that there are real conspiracies is tantamount to whipping your todger out at the dinner table. Only one thing is worse than talking about conspiracies and that is talking about the supernatural. I don’t actually like that term nor ‘paranormal’. Generally, the former is used by those who disparage the concept and the latter by those who tend to believe in it.
 
I don’t fit into either category and prefer to use the term, ‘Fortean’, named after Charles Fort. Fort was a philosopher who collected thousands of scraps of newspaper cuttings of anomalous events; events that made no sense in conventional terms but were what he called ‘damned data’.

Friday, 12 July 2013

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The woeful lack of original content on the blog is still being caused by a long and miserable bout of bronchitis, as well as a number of bizarre incidents such as my car being impounded by the police. I am currently writing something that will be up next week, forces of nature and the state allowing, but to fill the gap is an article from Robert Guffey, taken from Fortean Times but actually an extract from his book, Cryptoscatology.
The article looks at synchronicity which is something that perpetually fascinates me; especially the nature of 'meaningless' coincidences which often proliferate in my life.

Cryptoscatology

Robert Guffey explores the hidden links between Charles Fort and Andre Breton, visionaries at the margins of consensus reality whose subversive synchronistic and surreal practice resonates to this day

FT286
 
In 1919, a “meaningful coincidence” occurred: Charles Fort published The Book of the Damned and the surrealist André Breton (right) founded an anti-literary review titled Littérature. The work of both men would eventually inspire large groups of artists, philosophers, and other strange people to follow in their respective footsteps. In Breton’s case, this is exactly the result he had been striving toward. Fort, on the other hand, couldn’t have cared less. Nevertheless, it’s interesting to note that both men – one in Europe, the other in America – were eagerly exploring the hidden realm of dreams, unexplained phenomena, and what the Swiss psychologist Jung would call “meaningful coincidences”.
 
It is well known that the surrealists were heavily influenced by psychology, particularly the work of Freud. Later, they would also draw upon the findings of Freud’s student Jung, whose theories concerning synchronicity dovetailed with their own mystical outlook on life. Jung developed the term “synchronicity” after noticing that both he and his patients had experienced an uncanny number of coincidences that clearly went beyond the mere forces of chance (see FT171:42–47; 264:40–45). For example, Jung once related the eerie incident of having suddenly woken up in the middle of the night convinced that someone had just entered his hotel room, only to find himself alone in the dark. He was certain he had been roused forth by “a feeling of dull pain as if something had struck his forehead and the back of his skull”, and yet there was no evidence of physical harm anywhere on his body. The mystery deepened the very next day when he discovered that not only had a patient of his shot himself through the forehead, but that the bullet had “lodged at the back wall of the skull”. Inevitably, the time of the tragedy coincided with Jung’s fearful experience from the night before (1).